{"id":17614,"date":"2025-09-03T19:48:07","date_gmt":"2025-09-03T16:48:07","guid":{"rendered":"https:\/\/www.hbrkahta.com\/?p=17614"},"modified":"2025-09-03T19:48:07","modified_gmt":"2025-09-03T16:48:07","slug":"adiyamanli-yazar-ve-programci-nazan-tastan-yapici-seramik-atolyesi-coco-mamieli-acti","status":"publish","type":"post","link":"https:\/\/www.hbrkahta.com\/index.php\/2025\/09\/03\/adiyamanli-yazar-ve-programci-nazan-tastan-yapici-seramik-atolyesi-coco-mamieli-acti\/","title":{"rendered":"Ad\u0131yamanl\u0131 yazar ve programc\u0131 Nazan Ta\u015ftan Yap\u0131c\u0131, seramik at\u00f6lyesi Coco Mamiel\u2019i a\u00e7t\u0131"},"content":{"rendered":"<p>Edebiyat, medya ve seramik aras\u0131nda bir ya\u015fam<\/p>\n<p>Ad\u0131yaman do\u011fumlu olan Yap\u0131c\u0131, edebiyat fak\u00fcltesi mezunu. Uzun y\u0131llar gazetecilik yapt\u0131, dergilerde yazd\u0131, yedi y\u0131ld\u0131r televizyon programlar\u0131 haz\u0131rlay\u0131p sundu. \u00c7ocuk ve yeti\u015fkin kitaplar\u0131 kaleme ald\u0131. Ancak t\u00fcm bu \u00e7al\u0131\u015fmalar\u0131n\u0131n yan\u0131 s\u0131ra seramik, hayat\u0131nda \u00f6zel bir yere sahip oldu.<br \/>\n<img decoding=\"async\" alt=\"\" src=\"https:\/\/www.hbrkahta.com\/wp-content\/uploads\/2025\/09\/adiyamanli-yazar-ve-programci-nazan-tastan-yapici-seramik-atolyesi-coco-mamieli-acti-ZV6kdgO7.jpg\"><br \/>\nYap\u0131c\u0131, seramikle tan\u0131\u015fma s\u00fcrecini \u015f\u00f6yle anlatt\u0131:<br \/>\n&ldquo;Tesad\u00fcfen \u00c7ATOM\u2019da seramikle tan\u0131\u015ft\u0131m. Ard\u0131ndan gen\u00e7lik merkezinde devam ettim, seramik ve \u00e7ini \u00fczerine e\u011fitim ald\u0131m. Seramik benim i\u00e7in sadece bir u\u011fra\u015f de\u011fil, sekiz y\u0131l\u0131 a\u015fk\u0131n s\u00fcredir ruhumu besleyen bir a\u015fk. Her \u00fcr\u00fcnde kendimi yeniden buldu\u011fum, huzurla \u00fcretim yapt\u0131\u011f\u0131m bir alan oldu.&rdquo;<\/p>\n<p>Deprem sonras\u0131 yeni bir yolculuk<\/p>\n<p>6 \u015eubat depremlerinin ard\u0131ndan bir s\u00fcre \u00e7ocuklar\u0131yla birlikte Mersin\u2019de ya\u015famak zorunda kalan Yap\u0131c\u0131, orada da seramikle ba\u011f\u0131n\u0131 koparmad\u0131. Halk e\u011fitim merkezinde ve \u00fcniversitede e\u011fitimlere kat\u0131ld\u0131. Bu s\u00fcreci \u015f\u00f6yle anlatt\u0131:<br \/>\n&ldquo;Depremin ac\u0131s\u0131 ve travmas\u0131yla ba\u015f etmek kolay de\u011fildi. Ama yazmak ve seramik benim en b\u00fcy\u00fck rehabilite arac\u0131m oldu. Orada da seramikten kopmad\u0131m. Sonra d\u00fc\u015f\u00fcnd\u00fcm: D\u00f6n\u00fcnce neden bunu daha b\u00fcy\u00fck bir hayale d\u00f6n\u00fc\u015ft\u00fcrmeyeyim?&rdquo;<br \/>\n<img decoding=\"async\" alt=\"\" src=\"https:\/\/www.hbrkahta.com\/wp-content\/uploads\/2025\/09\/adiyamanli-yazar-ve-programci-nazan-tastan-yapici-seramik-atolyesi-coco-mamieli-acti-X9vnwNXT.jpg\"><br \/>\nAd\u0131yaman\u2019a d\u00f6n\u00fc\u015f ve bir hayalin ger\u00e7e\u011fe d\u00f6n\u00fc\u015fmesi<\/p>\n<p>Ad\u0131yaman\u2019a d\u00f6n\u00fc\u015f\u00fcn ard\u0131ndan bir s\u00fcre \u00e7ocuklar\u0131n\u0131n e\u011fitimine ve d\u00fczen kurmaya odakland\u0131\u011f\u0131n\u0131 belirten Yap\u0131c\u0131, sonras\u0131nda hayalini hayata ge\u00e7irmeye karar verdi:<br \/>\n&ldquo;Depremden sonra bak\u0131\u015f a\u00e7\u0131m de\u011fi\u015fti. \u0130nsanlar\u0131n sosyalle\u015fmeye, kendini ifade etmeye, bir \u015feyler \u00fcretmeye \u00e7ok fazla ihtiyac\u0131 vard\u0131. Kad\u0131nlar\u0131m\u0131z pek \u00e7ok i\u015fletme a\u00e7t\u0131, hepsi bana ilham oldu. Ben de neden \u00e7ini ve seramik \u00fczerine bir at\u00f6lye a\u00e7mayay\u0131m diye d\u00fc\u015f\u00fcnd\u00fcm. E\u015fim, ailem ve arkada\u015flar\u0131m da \u00e7ok destekledi.&rdquo;<br \/>\n<img decoding=\"async\" alt=\"\" src=\"https:\/\/www.hbrkahta.com\/wp-content\/uploads\/2025\/09\/adiyamanli-yazar-ve-programci-nazan-tastan-yapici-seramik-atolyesi-coco-mamieli-acti-bpq8xbQV.jpg\"><br \/>\nCoco Mamiel: \u0130smin ard\u0131ndaki anlam<\/p>\n<p>Yap\u0131c\u0131, at\u00f6lyesinin ad\u0131n\u0131 \u00e7ocuklar\u0131ndan ilhamla koydu\u011funu s\u00f6yledi:<br \/>\n&ldquo;Benim \u00fc\u00e7 \u00e7ocu\u011fum var; Masal, Miran ve Elif Sezen. Onlar\u0131n isimlerinin k\u0131saltmas\u0131yla Mamiel ortaya \u00e7\u0131kt\u0131. Coco ise butik, \u015f\u0131k bir ruhu yans\u0131ts\u0131n istedim. \u00c7ocuklar\u0131m bana en b\u00fcy\u00fck \u015fans, hayat\u0131m\u0131n en de\u011ferli par\u00e7alar\u0131. Bu i\u015fletme de onlar\u0131n \u0131\u015f\u0131\u011f\u0131yla do\u011fdu.&rdquo;<\/p>\n<p>\u00dcretim ve payla\u015f\u0131m\u0131n merkezi<\/p>\n<p>Coco Mamiel, yaln\u0131zca seramik \u00fcr\u00fcnlerin \u00fcretildi\u011fi bir at\u00f6lye de\u011fil; ayn\u0131 zamanda insanlar\u0131n bir araya gelip \u00fcretim yapabilece\u011fi ve sosyalle\u015febilece\u011fi bir mekan olarak tasarland\u0131.<\/p>\n<p>Yap\u0131c\u0131, bu vizyonu \u015fu s\u00f6zlerle a\u00e7\u0131klad\u0131:<br \/>\n&ldquo;Burada isteyenler \u00e7amurdan \u00fcr\u00fcn yapabiliyor, isteyenler haz\u0131r \u00fcr\u00fcnleri kendi zevkine g\u00f6re boyayabiliyor. Anne-\u00e7ocuk etkinlikleri, \u00e7ift at\u00f6lyeleri, \u00e7ocuk workshoplar\u0131 d\u00fczenlemeyi planl\u0131yoruz. \u0130nsanlar \u00e7ay\u0131n\u0131, kahvesini i\u00e7ip sohbet edebilir. \u00dcr\u00fcnlerimizin her biri e\u015fsiz. Ayn\u0131 \u00fcr\u00fcn\u00fc tekrar yapmaya \u00e7al\u0131\u015fsan\u0131z bile renk tonlar\u0131, dokular farkl\u0131 \u00e7\u0131kar. Her \u00fcr\u00fcn tek ve \u00f6zel.&rdquo;<br \/>\n<img decoding=\"async\" alt=\"\" src=\"https:\/\/www.hbrkahta.com\/wp-content\/uploads\/2025\/09\/adiyamanli-yazar-ve-programci-nazan-tastan-yapici-seramik-atolyesi-coco-mamieli-acti-Ou3TC8Cq.jpg\"><br \/>\n&ldquo;Ad\u0131yaman\u2019\u0131n b\u00f6yle bir yere ihtiyac\u0131 vard\u0131&rdquo;<\/p>\n<p>At\u00f6lyeyi a\u00e7arken esnafl\u0131\u011fa ilk kez ad\u0131m att\u0131\u011f\u0131n\u0131 belirten Yap\u0131c\u0131, kar\u015f\u0131la\u015ft\u0131\u011f\u0131 ilgi ve deste\u011fin kendisini \u00e7ok mutlu etti\u011fini ifade etti:<br \/>\n&ldquo;Esnafl\u0131k ge\u00e7mi\u015fim yoktu, acaba olur mu diye d\u00fc\u015f\u00fcnd\u00fcm. Ama insanlar \u00e7ok s\u0131cak ve kollay\u0131c\u0131 davrand\u0131. Gelen herkes &lsquo;Ad\u0131yaman\u2019\u0131n b\u00f6yle bir yere ihtiyac\u0131 vard\u0131\u2019 diyor. Bu da bize b\u00fcy\u00fck moral veriyor.&rdquo;<\/p>\n<p>Sanatla \u015fifa bulmak<\/p>\n<p>Yap\u0131c\u0131, serami\u011fin yaln\u0131zca bir \u00fcretim de\u011fil, ayn\u0131 zamanda \u015fifa veren bir u\u011fra\u015f oldu\u011funu vurgulad\u0131:<br \/>\n&ldquo;Benim i\u00e7in seramikle u\u011fra\u015fmak ruhumu iyile\u015ftiren bir s\u00fcre\u00e7 oldu. Bunu ba\u015fkalar\u0131n\u0131n da ya\u015famas\u0131n\u0131 istiyorum. \u0130nsanlar buraya gelip \u00fcretim yapt\u0131k\u00e7a kendini daha iyi hissedecek, ortaya \u00e7\u0131kan eserleriyle gurur duyacak. Bu mek&acirc;n, sadece bir at\u00f6lye de\u011fil; ayn\u0131 zamanda insanlar\u0131n kendini ifade edebilece\u011fi, nefes alabilece\u011fi bir yer olacak.&rdquo;<\/p>\n<p>Alt\u0131n\u015fehir\u2019de a\u00e7\u0131lan Coco Mamiel, \u00f6n\u00fcm\u00fczdeki d\u00f6nemde at\u00f6lye \u00e7al\u0131\u015fmalar\u0131, etkinlikler ve seramik sat\u0131\u015flar\u0131yla Ad\u0131yaman\u2019da sanat ve \u00fcretim merakl\u0131lar\u0131n\u0131n yeni bulu\u015fma adresi olmay\u0131 hedefliyor.<br \/>\n<img decoding=\"async\" alt=\"\" src=\"https:\/\/www.hbrkahta.com\/wp-content\/uploads\/2025\/09\/adiyamanli-yazar-ve-programci-nazan-tastan-yapici-seramik-atolyesi-coco-mamieli-acti-mCC1O1tr.jpg\"><br \/>\nNazan Ta\u015ftan Yap\u0131c\u0131 Kimdir?<\/p>\n<p>E\u011fitimci, gazeteci yazar, \u00e7ocuk edebiyat\u0131 yazar\u0131. 7 \u00e7ocuklu bir ailenin en k\u00fc\u00e7\u00fck \u00e7ocu\u011fu olarak,18 Mart 1981\u2019de, Ad\u0131yaman\u2019da d\u00fcnyaya geldi. \u0130lkokulu Fevzi \u00c7akmak \u0130lkokulunda (\u015fimdiki ad\u0131 Zeynep Turgut \u0130lkokulu), ortaokulu Karacao\u011flan Ortaokulunda, liseyi Atat\u00fcrk Lisesinde okudu. 1998\u2019de Van Y\u00fcz\u00fcnc\u00fc Y\u0131l \u00dcniversitesi T\u00fcrk Dili ve Edebiyat\u0131 b\u00f6l\u00fcm\u00fcn\u00fc kazand\u0131.<\/p>\n<p>\u00dcniversiteyi bitirince d\u00f6nd\u00fc\u011f\u00fc Ad\u0131yaman\u2019daki \u00e7e\u015fitli \u00f6zel kurumlarda T\u00fcrk\u00e7e \u00f6\u011fretmenli\u011fi, Ad\u0131yaman Bug\u00fcn gazetesinde k\u00f6\u015fe yazarl\u0131\u011f\u0131 yapmaya ba\u015flad\u0131. Bir s\u00fcre de stilistlik e\u011fitimi ald\u0131. Ad\u0131yaman Memleketim gazetesinde yazd\u0131.<\/p>\n<p>2017\u2019den itibaren seramik ve cam mozai\u011fi e\u011fitimi ald\u0131. Ad\u0131yamanl\u0131lar.net ve Haber7 yaman adl\u0131 sanal gazetelerde k\u00f6\u015feyazarl\u0131\u011f\u0131 ve Mercan Tv\u2019de Nazan\u2019\u0131n G\u00fcncesi programlar\u0131n\u0131 s\u00fcrd\u00fcr\u00fcyor.<\/p>\n<p>Gizemli Saat, Hazine H\u0131rs\u0131zlar\u0131, Zaman\u0131n Efendisi, Ar\u0131lar\u0131n \u0130ntikam\u0131, Korkun\u00e7 Bir Film, Miko ve Arkada\u015flar\u0131 adl\u0131 kitaplar\u0131ndan olu\u015fan \u00e7ocuk kitab\u0131 seti 2017\u2019de yay\u0131mland\u0131.<\/p>\n<p>Nazan Ta\u015ftan Yap\u0131c\u0131, 2005\u2019te Abdurrahman Yap\u0131c\u0131 ile evlendi. \u0130kisi k\u0131z, biri erkek olmak \u00fczere \u00fc\u00e7 \u00e7ocuk annesidir.<\/p><\/p>\n","protected":false},"excerpt":{"rendered":"<p> Murat KAYI\u015e\u2013 \u00c7ocuk edebiyat\u0131 yazar\u0131, radyo ve televizyon programc\u0131s\u0131 Nazan Ta\u015ftan Yap\u0131c\u0131, y\u0131llard\u0131r i\u00e7inde ta\u015f\u0131d\u0131\u011f\u0131 seramik tutkusunu ger\u00e7e\u011fe d\u00f6n\u00fc\u015ft\u00fcrerek kendi at\u00f6lyesi Coco Mamiel\u2019i hizmete a\u00e7t\u0131. Alt\u0131n\u015fehir\u2019de Aryon AVM\u2019nin arka k\u0131sm\u0131nda butik ma\u011faza ve at\u00f6lye konseptiyle a\u00e7\u0131lan i\u015fletme, hem \u00fcretim hem de sosyal bulu\u015fma alan\u0131 olma \u00f6zelli\u011fiyle dikkat \u00e7ekiyor.<\/p>\n","protected":false},"author":1,"featured_media":17615,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1,11],"tags":[559,540,178,2660,2661],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.hbrkahta.com\/index.php\/wp-json\/wp\/v2\/posts\/17614"}],"collection":[{"href":"https:\/\/www.hbrkahta.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.hbrkahta.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.hbrkahta.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.hbrkahta.com\/index.php\/wp-json\/wp\/v2\/comments?post=17614"}],"version-history":[{"count":1,"href":"https:\/\/www.hbrkahta.com\/index.php\/wp-json\/wp\/v2\/posts\/17614\/revisions"}],"predecessor-version":[{"id":17621,"href":"https:\/\/www.hbrkahta.com\/index.php\/wp-json\/wp\/v2\/posts\/17614\/revisions\/17621"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.hbrkahta.com\/index.php\/wp-json\/wp\/v2\/media\/17615"}],"wp:attachment":[{"href":"https:\/\/www.hbrkahta.com\/index.php\/wp-json\/wp\/v2\/media?parent=17614"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.hbrkahta.com\/index.php\/wp-json\/wp\/v2\/categories?post=17614"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.hbrkahta.com\/index.php\/wp-json\/wp\/v2\/tags?post=17614"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}