Ad\u0131yaman\u2019da foto\u011fraf sanat\u0131na ilgi duyanlara y\u00f6nelik olarak AFOT taraf\u0131ndan ba\u015flat\u0131lan temel foto\u011fraf\u00e7\u0131l\u0131k e\u011fitimleri, yo\u011fun ilgiyle kar\u015f\u0131lan\u0131yor. E\u011fitimler, kentte foto\u011fraf bilincinin geli\u015fmesine katk\u0131 sunmay\u0131 hedefliyor.<\/p>\n
E\u011fitimleri g\u00f6n\u00fcll\u00fcl\u00fck esas\u0131na g\u00f6re verdi\u011fini belirten Emekli Akademisyen ve Foto\u011fraf Sanat\u00e7\u0131s\u0131 Atanur Sevim, derslere kat\u0131lanlar\u0131n da ayn\u0131 anlay\u0131\u015fla g\u00f6n\u00fcll\u00fc olarak yer ald\u0131klar\u0131n\u0131 ifade etti. Sevim, temel e\u011fitimin foto\u011fraf sanat\u0131nda do\u011fru teknikleri \u00f6\u011frenmek a\u00e7\u0131s\u0131ndan b\u00fcy\u00fck \u00f6nem ta\u015f\u0131d\u0131\u011f\u0131n\u0131 vurgulad\u0131.<\/p>\n
“Do\u011fru Foto\u011fraf \u0130\u00e7in Temel E\u011fitim \u015eart”<\/p>\n
Kat\u0131l\u0131mc\u0131lar\u0131n b\u00fcy\u00fck bir motivasyonla e\u011fitimlere dahil oldu\u011funu aktaran Sevim, do\u011fru \u0131\u015f\u0131k kullan\u0131m\u0131, kadraj olu\u015fturma, makine ayarlar\u0131 ve g\u00f6rsel okuma gibi temel konular\u0131n i\u015flendi\u011fini belirtti. E\u011fitimlerin aral\u0131kl\u0131 olarak s\u00fcrd\u00fcr\u00fclece\u011fini kaydeden Sevim, “Foto\u011fraf \u00e7ekmek bir sanat oldu\u011fu kadar bir disiplindir. Bu nedenle sa\u011flam bir temel, iyi bir foto\u011fraf\u0131n \u00f6n ko\u015fuludur” dedi.<\/p>\n
Ad\u0131yaman Kent Konseyi binas\u0131nda s\u00fcrd\u00fcr\u00fclen e\u011fitimler, her ya\u015ftan kat\u0131l\u0131mc\u0131ya a\u00e7\u0131k olarak ger\u00e7ekle\u015ftiriliyor. AFOT yetkilileri, e\u011fitimlerin ilerleyen d\u00f6nemde uygulamal\u0131 \u00e7ekim \u00e7al\u0131\u015fmalar\u0131 ve sergilerle desteklenmesini planl\u0131yor.<\/p>\n
“Foto\u011fraf\u00e7\u0131l\u0131\u011fa Dair Temel ve Genel Bilgiler”<\/p>\n
Foto\u011fraf\u00e7\u0131l\u0131k, \u0131\u015f\u0131\u011f\u0131n bir y\u00fczeye (film veya dijital sens\u00f6r) kaydedilmesiyle g\u00f6r\u00fcnt\u00fc olu\u015fturma sanat\u0131d\u0131r. Sanatsal, belgesel, haber, moda ve do\u011fa gibi bir\u00e7ok farkl\u0131 t\u00fcr\u00fc bulunan foto\u011fraf\u00e7\u0131l\u0131k, teknik bilgi ile estetik bak\u0131\u015f a\u00e7\u0131s\u0131n\u0131 bir araya getiren bir disiplindir.<\/p>\n
Temel Foto\u011fraf\u00e7\u0131l\u0131k E\u011fitimi, genellikle \u015fu ba\u015fl\u0131klar\u0131 i\u00e7erir:<\/p>\n
Kamera T\u00fcrleri ve Kullan\u0131m\u0131: DSLR, aynas\u0131z (mirrorless), kompakt makineler ve cep telefonlar\u0131n\u0131n kamera \u00f6zellikleri.<\/p>\n
Pozlama \u00dc\u00e7geni (Exposure Triangle):<\/p>\n
Enstantane (Shutter Speed): I\u015f\u0131\u011f\u0131n sens\u00f6re ula\u015fma s\u00fcresi.<\/p>\n
Diyafram (Aperture): Lense giren \u0131\u015f\u0131k miktar\u0131n\u0131 kontrol eder; ayn\u0131 zamanda alan derinli\u011fini etkiler.<\/p>\n
ISO: Sens\u00f6r\u00fcn \u0131\u015f\u0131\u011fa duyarl\u0131l\u0131\u011f\u0131. D\u00fc\u015f\u00fck ISO daha net g\u00f6r\u00fcnt\u00fcler, y\u00fcksek ISO ise d\u00fc\u015f\u00fck \u0131\u015f\u0131kta \u00e7ekim sa\u011flar ama gren olu\u015fturabilir.<\/p>\n
Kadraj ve Kompozisyon: Alt\u0131n oran, \u00fc\u00e7ler kural\u0131 (Rule of Thirds), simetri, \u00f6nde gelen \u00e7izgiler ve arka plan kontrol\u00fc.<\/p>\n
I\u015f\u0131k Kullan\u0131m\u0131: Do\u011fal ve yapay \u0131\u015f\u0131k kaynaklar\u0131n\u0131n y\u00f6n\u00fc, rengi ve yo\u011funlu\u011fu. Foto\u011fraf\u00e7\u0131l\u0131kta \u0131\u015f\u0131k, duyguyu ve atmosferi belirleyen en \u00f6nemli \u00f6\u011fedir.<\/p>\n
Beyaz Dengesi (White Balance): Renklerin do\u011fru yans\u0131t\u0131lmas\u0131n\u0131 sa\u011flar.<\/p>\n
Lens T\u00fcrleri: Geni\u015f a\u00e7\u0131, telefoto, makro, prime ve zoom lenslerin kullan\u0131m alanlar\u0131.<\/p>\n
Foto\u011fraf T\u00fcrleri: Portre, manzara, sokak, makro, \u00fcr\u00fcn, mimari, gece foto\u011fraf\u00e7\u0131l\u0131\u011f\u0131 gibi alanlar farkl\u0131 teknikler gerektirir.<\/p>\n
Foto\u011fraf\u00e7\u0131l\u0131k, teknik yeterlili\u011fin yan\u0131 s\u0131ra g\u00f6z e\u011fitimi ve sanatsal duyarl\u0131l\u0131\u011f\u0131 da i\u00e7erir. E\u011fitim s\u00fcreci boyunca bol bol pratik yap\u0131lmas\u0131, farkl\u0131 \u0131\u015f\u0131k ve mekân ko\u015fullar\u0131nda \u00e7ekim denenmesi, foto\u011fraf\u00e7\u0131n\u0131n geli\u015fimini b\u00fcy\u00fck \u00f6l\u00e7\u00fcde h\u0131zland\u0131r\u0131r.<\/p>\n
Foto\u011fraf\u00e7\u0131l\u0131kla ilgilenmek, bireylere hem estetik bir bak\u0131\u015f a\u00e7\u0131s\u0131 hem de an\u0131 belgeleme becerisi kazand\u0131r\u0131r. Dijital teknolojilerle birlikte herkesin eri\u015febilece\u011fi bir u\u011fra\u015f haline gelen bu sanat dal\u0131, do\u011fru e\u011fitimle birle\u015fti\u011finde g\u00fc\u00e7l\u00fc bir ifade arac\u0131na d\u00f6n\u00fc\u015f\u00fcr.<\/p><\/p>\n","protected":false},"excerpt":{"rendered":"
Murat KAYI\u015e – Ad\u0131yaman Foto\u011fraf Toplulu\u011fu (AFOT) taraf\u0131ndan d\u00fczenlenen ve Emekli Akademisyen, Foto\u011fraf Sanat\u00e7\u0131s\u0131 Atanur Sevim’in g\u00f6n\u00fcll\u00fc olarak verdi\u011fi Foto\u011fraf\u00e7\u0131l\u0131k Temel E\u011fitim Dersleri, Ad\u0131yaman Kent Konseyi binas\u0131nda ger\u00e7ekle\u015ftiriliyor.<\/p>\n","protected":false},"author":1,"featured_media":13812,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1,11],"tags":[540,312,1950,2251,1009],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.hbrkahta.com\/index.php\/wp-json\/wp\/v2\/posts\/13811"}],"collection":[{"href":"https:\/\/www.hbrkahta.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.hbrkahta.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.hbrkahta.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.hbrkahta.com\/index.php\/wp-json\/wp\/v2\/comments?post=13811"}],"version-history":[{"count":1,"href":"https:\/\/www.hbrkahta.com\/index.php\/wp-json\/wp\/v2\/posts\/13811\/revisions"}],"predecessor-version":[{"id":13813,"href":"https:\/\/www.hbrkahta.com\/index.php\/wp-json\/wp\/v2\/posts\/13811\/revisions\/13813"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.hbrkahta.com\/index.php\/wp-json\/wp\/v2\/media\/13812"}],"wp:attachment":[{"href":"https:\/\/www.hbrkahta.com\/index.php\/wp-json\/wp\/v2\/media?parent=13811"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.hbrkahta.com\/index.php\/wp-json\/wp\/v2\/categories?post=13811"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.hbrkahta.com\/index.php\/wp-json\/wp\/v2\/tags?post=13811"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}