Kurtulu\u015f Sava\u015f\u0131 ve Cumhuriyet\u2019in kurulu\u015f s\u00fcrecindeki m\u00fccadeleleri sanat\u0131n diliyle anlatan “Atat\u00fcrk Heykelleri: Cesaretin ve \u0130lham\u0131n Sergisi”, 26 Ocak – 9 \u015eubat tarihleri aras\u0131nda SANKO Sanat Galerisi\u2019nde a\u00e7\u0131k kalacak.
\nB\u00fcy\u00fck \u00d6nder Mustafa Kemal Atat\u00fcrk\u2019\u00fcn, Gaziantep\u2019e geli\u015finin 92\u2019nci, Antep\u2019e Gazi \u00dcnvan\u0131 verili\u015finin 104\u2019\u00fcnc\u00fc y\u0131l\u0131 kapsam\u0131nda a\u00e7\u0131lacak sergi, Atat\u00fcrk ve Cumhuriyet\u2019in in\u015fa s\u00fcrecinde \u00f6nemli roller \u00fcstlenen \u0130smet \u0130n\u00f6n\u00fc, Mehmet Akif Ersoy, Halide Edip Ad\u0131var, Hasan Tahsin, Sabiha Beng\u00fcta\u015f, Afet \u0130nan, Z\u00fcbeyde Han\u0131m ve Sabiha G\u00f6k\u00e7en gibi isimlerin ya\u015famlar\u0131 ve katk\u0131lar\u0131n\u0131 sanat arac\u0131l\u0131\u011f\u0131yla izleyiciye aktar\u0131yor.
\nB\u00fcy\u00fck \u00d6nder Gazi Mustafa Kemal Atat\u00fcrk, 26 Ocak 1933\u2019te Gaziantep\u2019e gelmi\u015f, Antep\u2019e 8 \u015eubat 1921\u2019de Gazi Unvan\u0131 verilmi\u015fti.
\nHeykelt\u0131ra\u015f Sel\u00e7uk Yaz\u0131c\u0131, heykellerin, yaln\u0131zca estetik deneyim de\u011fil, ayn\u0131 zamanda tarihsel bir bilin\u00e7 ve duygusal ba\u011f kurmay\u0131 ama\u00e7lad\u0131\u011f\u0131n\u0131 s\u00f6yledi.
\nTokat\u2019\u0131n Turhal il\u00e7esinde do\u011fan ve \u00e7al\u0131\u015fmalar\u0131n\u0131 Bodrum\u2019da s\u00fcrd\u00fcren Yaz\u0131c\u0131, tarihsel fig\u00fcrlerin y\u00fcz ifadelerindeki kararl\u0131l\u0131k ve olaylar\u0131n duygusal derinli\u011finin, Cumhuriyet\u2019in de\u011ferlerini vurgulamada \u00f6nemli rol oynad\u0131\u011f\u0131n\u0131 kaydetti.
\nTarihsel fig\u00fcrlerin duygusal derinli\u011fini ve fiziksel ger\u00e7ekli\u011fini do\u011fru yans\u0131tman\u0131n b\u00fcy\u00fck bir sorumluluk oldu\u011funa dikkat \u00e7eken Yaz\u0131c\u0131, “Ara\u015ft\u0131rma s\u00fcrecinde ar\u015fiv foto\u011fraflar\u0131, belgeler ve biyografilerden faydalan\u0131yorum. Ayr\u0131ca, aile \u00fcyeleriyle ya da tarih\u00e7ilerle g\u00f6r\u00fc\u015ferek detayl\u0131 bir altyap\u0131 olu\u015fturuyorum” dedi.
\nEserlerinin, gen\u00e7lerde ge\u00e7mi\u015fin kahramanl\u0131k hikayelerini daha derinlemesine hissettirerek ilham ve sorumluluk duygusu olu\u015fturabildi\u011fini vurgulayan Yaz\u0131c\u0131, “\u00d6zg\u00fcrl\u00fck, e\u015fitlik ve insanl\u0131k onuru i\u00e7in m\u00fccadele eden toplumlar, her zaman ileriyi hedefler. \u0130\u015fte bu nedenle Atat\u00fcrk\u2019\u00fcn \u00f6nderli\u011finde T\u00fcrkiye\u2019nin verdi\u011fi m\u00fccadele, d\u00fcnya i\u00e7in bir ilham kayna\u011f\u0131d\u0131r” ifadelerini kulland\u0131.
\nHeykeller ve panolar\u0131n, Kurtulu\u015f Sava\u015f\u0131 ve Cumhuriyet\u2019in kurulu\u015f s\u00fcrecindeki zorluklar\u0131 ve m\u00fccadeleleri g\u00f6zler \u00f6n\u00fcne serdi\u011fini anlatan Yaz\u0131c\u0131, Cumhuriyet\u2019in temel de\u011ferlerini vurgulayarak gen\u00e7lere ilham kayna\u011f\u0131 olmay\u0131 ama\u00e7lad\u0131klar\u0131n\u0131 s\u00f6zlerine ekledi.
\nSel\u00e7uk Yaz\u0131c\u0131\u2019n\u0131n heykellerinin yan\u0131 s\u0131ra, Atat\u00fcrk\u2019\u00fcn Gaziantep\u2019e geli\u015finde \u00e7ekilen foto\u011fraflar, Antep Savunmas\u0131 d\u00f6nemi foto\u011fraflar\u0131 ve Atat\u00fcrk Ressam\u0131 olarak bilinen Etem \u00c7al\u0131\u015fkan\u2019\u0131n \u00e7izdi\u011fi Atat\u00fcrk foto\u011fraflar\u0131 da sergilenecek.
\n“Atat\u00fcrk Heykelleri: Cesaretin ve \u0130lham\u0131n Sergisi” SANKO Park AVM \u00fc\u00e7\u00fcnc\u00fc katta bulunan SANKO Sanat Galerisi\u2019nde 26 Ocak 2025, pazar g\u00fcn\u00fc saat 12.00\u2019de a\u00e7\u0131lacak.\n <\/p><\/p>\n","protected":false},"excerpt":{"rendered":"
Heykelt\u0131ra\u015f Sel\u00e7uk Yaz\u0131c\u0131, Kurtulu\u015f Sava\u015f\u0131 ve Cumhuriyet\u2019in kurulu\u015f s\u00fcrecindeki m\u00fccadeleleri heykeller ve panolarla gelece\u011fe ta\u015f\u0131yor.<\/p>\n","protected":false},"author":1,"featured_media":11000,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1,11],"tags":[1048,1051,1894,1895,1896],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.hbrkahta.com\/index.php\/wp-json\/wp\/v2\/posts\/10999"}],"collection":[{"href":"https:\/\/www.hbrkahta.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.hbrkahta.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.hbrkahta.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.hbrkahta.com\/index.php\/wp-json\/wp\/v2\/comments?post=10999"}],"version-history":[{"count":1,"href":"https:\/\/www.hbrkahta.com\/index.php\/wp-json\/wp\/v2\/posts\/10999\/revisions"}],"predecessor-version":[{"id":11001,"href":"https:\/\/www.hbrkahta.com\/index.php\/wp-json\/wp\/v2\/posts\/10999\/revisions\/11001"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.hbrkahta.com\/index.php\/wp-json\/wp\/v2\/media\/11000"}],"wp:attachment":[{"href":"https:\/\/www.hbrkahta.com\/index.php\/wp-json\/wp\/v2\/media?parent=10999"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.hbrkahta.com\/index.php\/wp-json\/wp\/v2\/categories?post=10999"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.hbrkahta.com\/index.php\/wp-json\/wp\/v2\/tags?post=10999"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}